Midwife Patience Murphy has a gift: a talent for escorting mothers through the challenges of bringing children into the world. Working in the hardscrabble conditions of Appalachia during the Depression, Patience takes the jobs that no one else wants, helping those most in need—and least likely to pay. She knows a successful midwifery practice must be built on a foundation of openness and trust—but the secrets Patience is keeping are far too intimate and fragile for her to ever let anyone in.
Honest, moving, and beautifully detailed, Patricia Harman’s The Midwife of Hope River rings with authenticity as Patience faces nearly insurmountable difficulties. From the dangerous mines of West Virginia to the terrifying attentions of the Ku Klux Klan, Patience must strive to bring new light and life into an otherwise hard world. – Publishers Website
I really enjoyed this book, until that is the end of it came and I felt like the main character did something that was completely out of character at least I thought it was out of character for her to do.
She has survived so many difficulties, overcome so many obstacles in her life, then to continue a relationship with one of the other characters in the book that they didn’t even really discuss; they just continued on with it, how it should progress, they didn’t discuss their feelings about one another, it just seemed as though the author needed to (in my opinion) end the book and didn’t have any other things to share about the couple.
Maybe it is me being in this modern world and all, I’m not sure.
Overall, it was a gorgeous book, written with a sense of the time period – the ’30′s. It had genuine parts of what it was like to be a midwife back in the day. I was quite enthralled with it.
I just thought the ending of the novel could have been written better than it was. I hope to read more from Patricia in the future.
Reading Guide – Patricia’s Website – Browse Inside – Goodreads – Facebook – Twitter
Recounting the story of her life, Oei plunges us into the colorful world of nineteenth-century Edo, in which courtesans rub shoulders with poets, warriors consort with actors, and the arts flourish in an unprecedented moment of creative upheaval. Oei and Hokusai live among writers, novelists, tattoo artists, and prostitutes, evading the spies of the repressive shogunate as they work on Hokusai’s countless paintings and prints. Wielding her brush, rejecting domesticity in favor of dedication to the arts, Oei defies all expectations of womanhood—all but one. A dutiful daughter to the last, she will obey the will of her eccentric father, the man who created her and who, ultimately, will rob her of her place in history.
Scotland Yard’s best detective, Inspector Ian Rutledge, must solve a dangerous case that reaches far into the past in this superb mystery in the acclaimed series
Love me. Love me. I’m not what you expected, but oh, please love me.
It was his first big murder case—and one of the bloodiest and most violent crimes LAPD detective Danny McGuire would ever encounter. Andrew Jakes, an elderly multimillionaire art dealer, had been brutally murdered in his Hollywood home, his lifeless body tied to his naked young wife. Raped and beaten, the lovely Angela Jakes had barely survived the attack herself. Gazing into her deep, soulful eyes, Danny swore that he’d find the psychopath behind this barbarous act. But the investigation didn’t turn up a single solid lead, and within days of Angela’s release from the hospital, the stunning young widow—Danny’s only witness—had vanished.
Late in the night of April 14, 1912, the mighty Titanic, a passenger liner traveling from Southampton, England, to New York City, struck an iceberg four hundred miles south of Newfoundland. Its sinking over the next two and a half hours brought the ship—mythological in name and size—one hundred years of infamy.
Gottlieb introduces the mystery of the charismatic Margot, a promising journalist who morphs—with stunning panache—from a high-achieving affluent twentysomething into a grifter making her living preying on the weaknesses of men.
HitRECord’s collaborative coalition of artists and writers are making history with The Tiny Book of Tiny Stories: Volume 1, a collection of innovative crowd-sourced creative projects that pushes the limits of originality, cooperation, imagination, and inspiration. HitRECord, a grassroots creative collective founded by actor Joseph Gordon-Levitt, known worldwide for his performances in (500) Days of Summer and Inception, is a forum where thousands of artists worldwide share work and contribute to their peers’ projects in writing, music, videos, illustration, and beyond. Alongside Dean Haspiel’s ACT-I-VATE, a groundbreaking comics collective, and the photographer JR’s Inside Out Project, hitRECord is a haven for budding creatives. Now, the collective has edited together its most promising stories and illustrations to serve as its face in introducing the world to a new generation of talent, in The Tiny Book of Tiny Stories.
What sane woman would consider becoming any man’s ninth wife?

Sweethearts since childhood, Ellie Hogan and her husband, John, are content on their farm in Ireland—until John, a soldier for the Irish Republican Army, receives an injury that leaves him unable to work. Forced to take drastic measures in order to survive, Ellie does what so many Irish women in the 1920s have done and sails across a vast ocean to New York City to work as a maid for a wealthy socialite.

A mysterious jewel holds the key to a life-changing secret, in this breathtaking tale of love and art, betrayal and redemption.
In the waning days of the Ottoman Empire, a young Orthodox Jewish woman in the holy city of Jerusalem is expected to marry and produce many sons to help hasten the Messiah’s arrival.





















